{"id":6,"date":"2017-01-19T16:02:26","date_gmt":"2017-01-19T16:02:26","guid":{"rendered":"https:\/\/litcaricature.wordpress.com\/?page_id=2"},"modified":"2019-04-26T09:23:57","modified_gmt":"2019-04-26T09:23:57","slug":"about","status":"publish","type":"page","link":"https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/about\/","title":{"rendered":"About"},"content":{"rendered":"<p><a href=\"https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/introduction\/marie-curie-logo\/\" rel=\"attachment wp-att-673\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-673\" src=\"https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/files\/2019\/04\/Marie-Curie-Logo.jpg\" alt=\"\" width=\"475\" height=\"406\" srcset=\"https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/files\/2019\/04\/Marie-Curie-Logo.jpg 475w, https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/files\/2019\/04\/Marie-Curie-Logo-300x256.jpg 300w, https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/files\/2019\/04\/Marie-Curie-Logo-351x300.jpg 351w\" sizes=\"auto, (max-width: 475px) 100vw, 475px\" \/><\/a><\/p>\n<p style=\"text-align: justify\">The <em>misshaping by words<\/em>\u00a0blog is an online diary of the research project <em>Misshaping by Words. Literary Caricature between Texts, Images, and Mental Models\u00a0<\/em>based at the Queen Mary University of London. This project has received funding from the European Union\u2019s Horizon 2020 research and innovation programme under the Marie Sk\u0142odowska-Curie grant agreement No. 703235. The blog will publish news, work-in-progress activities, partial results, spin-off materials, and all the updates concerning the development of the research.<\/p>\n<div id=\"attachment_148\" style=\"width: 810px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-148\" class=\"size-full wp-image-148\" src=\"https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/files\/2017\/02\/about.jpg\" alt=\"\" width=\"800\" height=\"572\" srcset=\"https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/files\/2017\/02\/about.jpg 800w, https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/files\/2017\/02\/about-300x215.jpg 300w, https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/files\/2017\/02\/about-768x549.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-148\" class=\"wp-caption-text\">Calligramme r\u00e9alis\u00e9 sur du contre-plaqu\u00e9 japonais par pyrogravure, di Alertomalibu &#8211; Own work, CC BY-SA 3.0<\/p><\/div>\n<p style=\"text-align: justify\">My name is Paolo Gervasi, I am the editor of the blog and the coordinator\u00a0of the research project, supervised by Colin Jones, Professor of History at the Queen Mary University of London. For the past three years, I have<span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">\u00a0been Research Fellow at the\u00a0<\/span><\/span><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\"><a href=\"http:\/\/www.ctl.sns.it\/\" target=\"_blank\" rel=\"noopener\">CTL<\/a> (<\/span><\/span>Center for the Data Processing of Texts and Images in Literary Tradition \u2013 Scuola Normale Superiore di Pisa), where I worked on the <a href=\"http:\/\/galassiaariosto.sns.it\/\">ERC project<span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">\u00a0<\/span><\/span><em><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"SpellingError SCX170079261\">Looking<\/span> <span class=\"SpellingError SCX170079261\">at<\/span> <span class=\"SpellingError SCX170079261\">Words<\/span> <span class=\"SpellingError SCX170079261\">Through<\/span><span class=\"NormalTextRun SCX170079261\"> Images<\/span><\/span><\/em><\/a><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">, coordinated by Professor Lina Bolzoni.\u00a0<\/span><\/span><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\"><br \/>\n<\/span><\/span><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">I obtained my Ph.D. at the\u00a0<\/span><\/span><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">Scuola Normale Superiore defending a thesis on the literary essay and the forms of 20th Century literary criticism<\/span><\/span><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">. My main\u00a0research interests concern the history of literary criticism in relation with publishing and book history; relationships between the media system and literary forms; Cognitive poetics and the study\u00a0of literature through the insights of\u00a0mind sciences; digital humanities, with a particular focus on\u00a0the representation of the overlapping of visual and literary cultures. I collaborate with <a href=\"https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/files\/2018\/10\/Articles_online.pdf\">online journals and magazines<\/a><\/span><\/span><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">, mainly writing about the cultural impact of neurosciences<\/span><\/span><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">.<br \/>\n<\/span><\/span>Special thanks to Serena Pezzini for her help in conceiving and designing the blog, and for borrowing me her gaze.<\/p>\n<p style=\"text-align: justify\"><strong><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">Main publications<\/span><\/span><\/strong><\/p>\n<p style=\"text-align: justify\"><strong><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">Monographs<\/span><\/span><\/strong><\/p>\n<ul>\n<li><em>Vita contro letteratura. Cesare Garboli: un&#8217;idea della critica\u00a0<\/em>(luca sossella editore, 2018)<\/li>\n<li style=\"text-align: justify\"><em><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">La forma dell\u2019eresia. Giacomo Debenedetti 1922-1934: storia di un inizio<\/span><\/span><\/em><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\"> (<\/span><span class=\"SpellingError SCX170079261\">Ets<\/span><span class=\"NormalTextRun SCX170079261\">, 2012)<\/span><\/span><\/li>\n<\/ul>\n<p><strong>Articles<\/strong><\/p>\n<ul>\n<li>\u201cAnger as Misshapen Fear. Fascism, Literature, and the Emotional Body\u201d, in <em>Emotions: History, Culture, Society<\/em>, vol. 2, number 2, December 2018.<\/li>\n<li>\u201cPulsazioni della coscienza. Forma breve ed emozioni primarie nella scrittura di Michele Mari\u201d, in a cura di Stefano Pradel e Carlo Tirinanzi De Medici,\u00a0<em>Brevitas. Percorsi estetici tra forma breve e frammento nelle letterature occidentali<\/em>, Trento: Dipartimento di Lettere e Filosofia dell&#8217;Universit\u00e0 degli Studi di Trento, 2018, pp. 313-341.<\/li>\n<li><a href=\"http:\/\/www.ticontre.org\/ojs\/index.php\/t3\/article\/view\/217\">\u201cAnamorfosi critiche. Scrittura saggistica e spazi mentali: il caso di Cesare Garboli\u201d,<\/a> in <em>I confini del sa<\/em><em>ggio. Per un bilancio sui destini della forma saggistica<\/em>, edited by Federico Bertoni, Simona Carretta, Nicol\u00f2 Rubbi, \u00abTicontre. Teoria Testo Traduzione\u00bb, 9 (2018).<\/li>\n<li>\u201cImmagini di frode. Ritratto e caricatura nell\u2019<em>Orlando furioso<\/em>\u201d, in <em>Il dialogo creativo. Studi per Lina Bolzoni<\/em>, edited by M. P. Ellero, M. Residori, M. Rossi, and A. Torri, Lucca: maria pacifini fazzi editore, 2017, pp. 309-324.<\/li>\n<li>\u201cLe conseguenze dell\u2019amore. Donne furiose tra Ariosto e Tasso\u201d, in <em>Ti do la mia parola. Sette saggi sul tradimento<\/em>, editede by A. Benassi and S. Pezzini, introduction by P. Godani, Roma: Edizioni di Storia e Letteratura, 2017, pp. 1-22.<\/li>\n<li>\u201c<em>Signa imperii<\/em>. Immagini della sovranit\u00e0 nelle illustrazioni della\u00a0<em>Liberata<\/em>, in\u00a0<em>Galassia Ariosto. Il modello editoriale dell&#8217;<\/em>Orlando Furioso<em> dal libro illustrato al web<\/em>, edited by L. Bolzoni, Roma: Donzelli, 2017, pp. 205-232<\/li>\n<li>(co-author Serena Pezzini), \u201c\u00abOr che di mente ho lucido intervallo\u00bb. Un\u2019interpretazione dei proemi nell\u2019<em>Orlando furioso<\/em>\u201d, <em>Annali della Scuola Normale Superiore di Pisa. Classe di lettere e filosofia<\/em>, 5, 9\/2, 2017, pp. 419-444.<\/li>\n<li>\u201cEdizione straordinaria! Bontempelli e la cognizione mediale della Grande Guerra\u201d, in <em>Dal nemico alla coralit\u00e0. Immagini ed esperienze dell\u2019altro nelle rappresentazioni della guerra degli ultimi cento anni<\/em>, edited by A. Baldacci, Firenze: LoGisma, 2017, pp. 83-92.<\/li>\n<li>\u201cLo spazio della biblioteca. I libri di don Ferrante come archeologia del sapere\u201d, in <em>Manzonis Europa \u2013 Europas Manzoni. L\u2019Europa di Manzoni \u2013 Il Manzoni dell\u2019Europa<\/em>, edited by B. Vinken, A. Oster, F. Broggi, M\u00fcnchen: Herbert Utz Verlag, 2017, pp. 143-187.<\/li>\n<li><a href=\"https:\/\/riviste.unimi.it\/index.php\/enthymema\/article\/view\/7939\/8249\">\u201cL\u2019eroe della\u00a0coscienza?\u00a0Astolfo\u00a0e lo sguardo sul mondo nell\u2019<em>Orlando furioso<\/em>\u201d<\/a>, <em>Enthymema<\/em>, 17, June 2017, pp. 165-188.<\/li>\n<li>(co-author Serena Pezzini), \u201cWeb of Meanings. Perspectives on Humanities and the Semantic Web\u201d, <em>Studi Culturali<\/em>, XIV, 1, April 2017, pp. 151-171.<\/li>\n<li>\u201cLa voce come metodo. Pratica dei media e scrittura orale in Debenedetti\u201d, <em>Ermenutica Letteraria<\/em>, XIII, 2017, pp. 115-125.<\/li>\n<li>\u201cLa\u00a0coscienza\u00a0conquistata. Rinascita di Rinaldo nella\u00a0<em>Gerusalemme liberata<\/em>\u201d, in\u00a0<em>Nascere, rinascere, ricominciare: immagini del nuovo inizio nella cultura italiana<\/em>, edited by L. Benedetti e G. Simonetti, L\u2019Aquila, L\u2019Una \u2013\u00a0L\u2019Aquila\u00a0University Press, 2017, pp. 53-74<\/li>\n<li><a href=\"http:\/\/ojs.unica.it\/index.php\/between\/article\/view\/2196\" target=\"_blank\" rel=\"noopener\">\u201cLa cognizione di Priapo. Procedimenti caricaturali in Eros e Priapo di Carlo Emilio\u00a0<\/a><a href=\"http:\/\/ojs.unica.it\/index.php\/between\/article\/view\/2196\" target=\"_blank\" rel=\"noopener\">Gadda\u201d<\/a>, <em>Chi ride ultimo. Parodia satira umorismi<\/em>, Eds. E. Abignente, F. Cattani, F. de Cristofaro, G. Maffei, U.M. Olivieri, <em>Between<\/em>, VI.12 (2016).<span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">\u201c<\/span><\/span><\/li>\n<li><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">Plot of <\/span><span class=\"SpellingError SCX170079261\">Meanings<\/span><span class=\"NormalTextRun SCX170079261\">. Ludovico <\/span><span class=\"SpellingError SCX170079261\">Ariosto\u2019s<\/span><span class=\"NormalTextRun SCX170079261\"> Orlando furioso <\/span><span class=\"SpellingError SCX170079261\">as<\/span><span class=\"NormalTextRun SCX170079261\"> a Case-<\/span><span class=\"SpellingError SCX170079261\">Study<\/span><span class=\"NormalTextRun SCX170079261\"> on <\/span><span class=\"SpellingError SCX170079261\">Narrativity<\/span><span class=\"NormalTextRun SCX170079261\"> and <\/span><span class=\"SpellingError SCX170079261\">Cognition<\/span><span class=\"NormalTextRun SCX170079261\">\u201d, <\/span><\/span><em><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">Reti <\/span><span class=\"SpellingError SCX170079261\">Saperi<\/span><span class=\"NormalTextRun SCX170079261\"> Linguaggi. <\/span><span class=\"SpellingError SCX170079261\">Italian<\/span><span class=\"NormalTextRun SCX170079261\"> Journal of Cognitive <\/span><span class=\"SpellingError SCX170079261\">Sciences<\/span><\/span><\/em><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">, 8.4, 2 (2015)<\/span><\/span><\/li>\n<li><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><a href=\"http:\/\/www.mhra.org.uk\/pdf\/wph-10-4.pdf\" target=\"_blank\" rel=\"noopener\">\u201cInto the Author\u2019s Mind. Cesare Garboli and the Essay as Embodied\u00a0Comprehension<\/a><span class=\"NormalTextRun SCX170079261\"><a href=\"http:\/\/www.mhra.org.uk\/pdf\/wph-10-4.pdf\">\u201d<\/a>, <\/span><\/span><em><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">MHRA <\/span><span class=\"SpellingError SCX170079261\">Working<\/span> <span class=\"SpellingError SCX170079261\">Papers<\/span><span class=\"NormalTextRun SCX170079261\"> in the <\/span><span class=\"SpellingError SCX170079261\">Humanities<\/span><\/span><\/em><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">, 10 (2015).<\/span><\/span><\/li>\n<li><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">\u201c<\/span><\/span><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">Critica della mente. Una rassegna di<\/span><\/span> <span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">studi su letteratura e scienze cognitive<\/span><\/span><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">\u201d, <\/span><\/span><em><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">Nuova informazione bibliografica<\/span><\/span><\/em><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">, 12.1 (2015).<\/span><\/span><\/li>\n<li><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">\u201c<\/span><\/span><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">Antagonismi segreti intorno a un libro postumo. Crisi e possibilit\u00e0 di superamento dei modelli critici del<\/span><\/span> <span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">Novecento<\/span><\/span><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">\u201d, <\/span><\/span><em><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">Italianistica<\/span><\/span><\/em><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\">, 44.1<\/span><\/span><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\"> (2015).<\/span><\/span><\/li>\n<li><a href=\"http:\/\/ojs.unica.it\/index.php\/between\/article\/view\/1108\/979\" target=\"_blank\" rel=\"noopener\">\u201cRetoriche mediali e forme letterarie: Antonio Delfini<\/a><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\"><a href=\"http:\/\/ojs.unica.it\/index.php\/between\/article\/view\/1108\/979\" target=\"_blank\" rel=\"noopener\">\u201d<\/a>, <\/span><\/span><em><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"SpellingError SCX170079261\">Between<\/span><\/span><\/em><span class=\"TextRun SCX170079261\" lang=\"IT-IT\" xml:lang=\"IT-IT\"><span class=\"NormalTextRun SCX170079261\"><em>,<\/em> 4, 7 (2014).<\/span><\/span><\/li>\n<li><a href=\"http:\/\/www.lettereaperte.net\/ausgabenedizioni\/ausgabe-12014-edizione-12014\/in-principio-era-il-verbo\/\" target=\"_blank\" rel=\"noopener\">\u201cIn principio era il verbo. E alla fine? George Steiner e la crisi dell\u2019umanesimo\u201d<\/a>, <em>Lettere aperte. Prospettive e polemiche per lo studio della letteratura italiana<\/em>, 1.1, (2014).<\/li>\n<li>\u2018La parola dislocata. Profezia come presenza del futuro\u2019, in <em>Futuro italiano. Scritture del tempo a venire<\/em>, edited by A. Benassi, F. Bondi, and S. Pezzini (Maria Pacini Fazzi Editore, 2012).<\/li>\n<li>\u2018Ricerca della creazione. La critica italiana e la funzione Proust\u2019,\u00a0<em>Letteratura e scienze cognitive: teorie e analisi<\/em>, edited by. A. Casadei, with S. Boezio, I. Campeggiani, and V. Ribechini,\u00a0<em>Italianistica<\/em>, 40.3 (2011).<\/li>\n<\/ul>\n<p><strong>Curatorships<\/strong><\/p>\n<ul>\n<li>Donald Sassoon, <a href=\"https:\/\/www.doppiozero.com\/materiali\/brexit-buona-fortuna-europa\"><em>Brexit. Buona fortuna, Europa<\/em><\/a>, Roma: luca sossella editore, 2017.<\/li>\n<li><em><a href=\"http:\/\/www.ticontre.org\/ojs\/index.php\/t3\/issue\/view\/7\">Mash-Up. Forms and Meanings of Hybridization in Literary Writin<\/a>g<\/em>, edited by Pietro Taravacci, Paolo Gervasi, and Francesca Lorandini, monographic issue of the International Journal <em>Ticontre. Teoria Testo Traduzione<\/em>, 5 (2016).<\/li>\n<li>Sonia Bergamasco,<em> Variazioni da Amelia Rosselli<\/em>, Ed Paolo Gervasi (luca sossella editore, 2014).<\/li>\n<li><em><a href=\"http:\/\/mediaevo.com\/registro-dei-progetti-editoriali-2\/\" target=\"_blank\" rel=\"noopener\">Mediaevo. Registro dei progetti editoriali<\/a><\/em>, special issue dedicated to the history of publishing, the analysis of the media environment and the impact of new media in the organization of knowledge (luca sossella editore, 2011).<\/li>\n<li><em>2: ricerche e riflessioni sul tema della coppia nella letteratura italiana<\/em>, edited by Fabrizio Bondi, Paolo Gervasi, Serena Pezzini, and Martyna Urbaniak (Maria Pacini Fazi Editore, 2016).<\/li>\n<\/ul>\n<p><a href=\"https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/files\/2018\/10\/Conferences.pdf\"><strong>Participations in seminars and conferences<\/strong><\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is just a short excerpt for the about&nbsp;page. <a href=\"https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/about\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":22,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/wp-json\/wp\/v2\/pages\/6","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/wp-json\/wp\/v2\/comments?post=6"}],"version-history":[{"count":16,"href":"https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/wp-json\/wp\/v2\/pages\/6\/revisions"}],"predecessor-version":[{"id":684,"href":"https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/wp-json\/wp\/v2\/pages\/6\/revisions\/684"}],"wp:attachment":[{"href":"https:\/\/blogs.history.qmul.ac.uk\/litcaricature\/wp-json\/wp\/v2\/media?parent=6"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}