{"id":27,"date":"2012-12-09T10:53:52","date_gmt":"2012-12-09T10:53:52","guid":{"rendered":"https:\/\/blogs.history.qmul.ac.uk\/musicandsound\/?page_id=27"},"modified":"2012-12-09T10:57:45","modified_gmt":"2012-12-09T10:57:45","slug":"links","status":"publish","type":"page","link":"https:\/\/blogs.history.qmul.ac.uk\/musicandsound\/links\/","title":{"rendered":"Links"},"content":{"rendered":"<p>Queen Mary Centre for Digital Music<a href=\"http:\/\/www.elec.qmul.ac.uk\/digitalmusic\/index.html\"><br \/>\nhttp:\/\/www.elec.qmul.ac.uk\/digitalmusic\/index.html<\/a><\/p>\n<p>Queen Mary Centre for the History of Emotions<a href=\"http:\/\/www.qmul.ac.uk\/emotions\/\"><br \/>\nhttp:\/\/www.qmul.ac.uk\/emotions\/<\/a><\/p>\n<p>People&#8217;s Palace Projects, Queen Mary, University of London<a href=\"http:\/\/www.peoplespalaceprojects.org.uk\/\"><br \/>\nhttp:\/\/www.peoplespalaceprojects.org.uk\/<\/a><\/p>\n<p>London Chamber Orchestra at Queen Mary<a href=\"http:\/\/www.lco.co.uk\/education\/lco-new\"><br \/>\nhttp:\/\/www.lco.co.uk\/education\/lco-new<\/a><\/p>\n<p>Institute of Musical Research, School of Advanced Study, University of London<a href=\"http:\/\/music.sas.ac.uk\/\"><br \/>\nhttp:\/\/music.sas.ac.uk\/<\/a><\/p>\n<p>European Sound Studies Association<a href=\"http:\/\/www.soundstudies.eu\/\"><br \/>\nhttp:\/\/www.soundstudies.eu\/<\/a><\/p>\n<p>The International Association for Word and Music Studies<a href=\"http:\/\/wordmusicstudies.org\/\"><br \/>\nhttp:\/\/wordmusicstudies.org\/<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Queen Mary Centre for Digital Music http:\/\/www.elec.qmul.ac.uk\/digitalmusic\/index.html Queen Mary Centre for the History of Emotions http:\/\/www.qmul.ac.uk\/emotions\/ People&#8217;s Palace Projects, Queen Mary, University of London http:\/\/www.peoplespalaceprojects.org.uk\/ London Chamber Orchestra at Queen Mary http:\/\/www.lco.co.uk\/education\/lco-new Institute of Musical Research, School of Advanced Study, &hellip; <a href=\"https:\/\/blogs.history.qmul.ac.uk\/musicandsound\/links\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-27","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.history.qmul.ac.uk\/musicandsound\/wp-json\/wp\/v2\/pages\/27","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.history.qmul.ac.uk\/musicandsound\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.history.qmul.ac.uk\/musicandsound\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.history.qmul.ac.uk\/musicandsound\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.history.qmul.ac.uk\/musicandsound\/wp-json\/wp\/v2\/comments?post=27"}],"version-history":[{"count":4,"href":"https:\/\/blogs.history.qmul.ac.uk\/musicandsound\/wp-json\/wp\/v2\/pages\/27\/revisions"}],"predecessor-version":[{"id":31,"href":"https:\/\/blogs.history.qmul.ac.uk\/musicandsound\/wp-json\/wp\/v2\/pages\/27\/revisions\/31"}],"wp:attachment":[{"href":"https:\/\/blogs.history.qmul.ac.uk\/musicandsound\/wp-json\/wp\/v2\/media?parent=27"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}