Words in history: mirrors or motors?

The Invention of Altruism by Thomas DixonSome years ago I wrote a book devoted to the history of a single philosophical keyword, ‘altruism’, coined by the French philosopher and sociologist Auguste Comte in 1851. It was my first foray into the cultural history of philosophy.

Partly inspired by this previous project, I decided to include a series of posts on the Cultural History of Philosophy blog on ‘Philosophical Keywords’ – short essays on the histories, meanings, and significance of words that have crossed over from philosophy into broader culture. Unsurprisingly, I chose to write the first post in this series on ‘altruism‘. Other keywords will be written about by others, including students taking the ‘Philosophical Britain’ module at Queen Mary.

In the first chapter of my book about altruism, I set out my thoughts about how to approach writing the history of a word. The post below is a short and slightly modified extract from chapter 1 of  The Invention of Altruism: Making Moral Meanings in Victorian Britain (Oxford: Oxford University Press for the British Academy, 2008), and is reproduced here with the kind permission of the British Academy. 


Historians have long recognised the value of words and their changing uses as sources of information about the past. The Victorian lexicographical project headed by James Murray which gave rise to the Oxford English Dictionary was founded on the recognition that the current meanings of a word could not be fully appreciated without some knowledge of the history of its uses. Studying past uses of a word can throw light on more than simply the processes by which it took on its present meanings, however. Richard Chenevix Trench, the scholarly clergyman whose speech was one of the driving forces behind the original plans for what was to become the OED, was someone who recognised the potential of words as historical sources, arguing that past uses of a word could also illuminate the cultures and societies within which they had occurred. His book The Study of Words (1851), which was made up of lectures delivered to an audience of trainee teachers, used the history of words to explore the history of humanity. Trench endorsed Samuel Taylor Coleridge’s view, expressed in the latter’s Aids to Reflection (1825), that there were cases when ‘more knowledge of more value may be conveyed by the history of a word than by the history of a campaign.’[1]

In the twentieth century, other writers adopted Trench’s idea that words could bear testimony to past realities; that they could act as witnesses. Two members of the Oxford group of writers known as the Inklings, C. S. Lewis and Owen Barfield, both wrote historical studies based on the same central idea. Barfield, in his History in English Words, first published in 1926, compared the English language, along with the other languages of the world, with ‘an imperishable map’ which ‘has preserved for us the inner, living history of man’s soul’.[2] His friend C. S. Lewis’s Studies in Words, first published in 1960, and based on lectures given to Cambridge students in the 1950s, consisted of a series of essays on words chosen for ‘the light they throw on ideas and sentiments’ that prevailed in past societies and as an ‘aid to more accurate reading’ of the literature within which they were used.[3] The words chosen included ‘nature’, ‘wit’, ‘simple’ and ‘conscience’, and were illustrated with a wealth of examples from philosophical, literary, and religious works in classical, medieval and modern languages. Although Lewis claimed that his studies were ‘merely lexical’, they in fact shed considerable light on historical matters; and Lewis took a particular interest in the social and moral status associated with certain uses of key words. His essay on the interrelated connotations of ‘free’, ‘frank’, ‘villain’, and ‘liberal’ is a particularly good illustration of this approach.[4]

Historians of modern Britain and its language have noted that the eighteenth and nineteenth centuries, with their dramatic industrial and scientific transformations, saw the English vocabulary expanded and enriched by a wide range of new terms. Eric Hobsbawm opened his study of the Age of Revolution with the observation that ‘Words are witnesses which often speak louder than documents’, and went on to mention ‘factory’, ‘railway’, ‘scientist’, ‘proletariat’, ‘Utilitarian’, ‘sociology’, and ‘ideology’ as examples of key English words which ‘were invented, or gained their modern meanings’ in the period between 1789 and 1848.  Their importance for Hobsbawm was as pointers to the arrival or transformation of ‘the things and concepts for which they provide names.’ [5] The French linguist Georges Matoré, writing in the 1950s, made a distinction between mots temoins and mots clés – witness words and key words. The former category consisted of neologisms arising from material, technological, social or intellectual changes or turning-points.[6] The terms on Hobsbawm’s list would fit into this category. Key words, on the other hand, for Matoré, were words that captured the leading idea or sentiment of a whole society or period. He suggested prud’homme and philosophe as early modern French key words.[7]

The most influential study of witness words and key words in the English language has undoubtedly been Raymond Williams’ 1976 book, Keywords: A Vocabulary of Culture and Society. Williams explained that, on returning to Cambridge after the war in 1945, it seemed to him that the whole vocabulary of the place had changed – that people were speaking a different language. He heard the word ‘culture’ much more often, for example, to signify a cluster of values or a way of life.[8] The resulting study, eventually completed thirty years later,  was an alphabetically arranged dictionary of key words in modern English, such as ‘art’, ‘bourgeois’, ‘charity’, ‘democracy’, ‘elite’, ‘family’, and so on. Each entry offered etymological, historical, and semantic reflections on the developing definitions, connotations, and significance of the chosen words. Williams himself struggled to classify his book but suggested it might be considered a contribution to cultural history, historical semantics, literary history, sociology, and the history of ideas.[9] When I refer to ‘altruism’ as a ‘key word’ in this book, I intend something closer to Williams’ quite broad sense of that term than to Matoré’s more ambitious idea of a mot-clé.

Many of the suggestions surveyed in the previous paragraphs inform The Invention of Altruism in quite obvious ways. ‘Altruism’ could be described both as a witness to significant shifts in the sources of moral authority, and also as a key word that captured some of the most characteristic sentiments and ideas of the Victorian period. The pattern of its dissemination from its Comtean origins, via the writings of a small group of intellectuals, into a wide and various range of other texts, in which it took on multiple meanings, could be thought of as constituting a map of intellectual and social connections. I hope to go somewhat beyond these characterisations, however. While it is useful to think of words as witnesses to historical transformations, and of linguistic change as a map or mirror of social change, metaphors such as these are very passive. They rely on the idea that real historical change is material, social, political, technological, or even emotional and intellectual, and that we can map or track such fundamental change by looking at linguistic change, which is then little more than a marker or by-product.[10] These passive metaphors can be supplemented by more active ones.

The image of a word as a key with which to unlock and open up the texts and values of a previous culture is certainly less passive than the idea of language as a map or mirror. However it depicts the word as something in the hands of the historian rather than of its past users. If we want to think about linguistic change as more than merely epiphenomenal, then we could look at the history of words as a branch of the history of technology. Doing so would be to recognise the obvious fact that words are tools that allow people to do things such as creating identities for themselves, arguing with each other, and articulating new visions of the natural and social worlds.[11] Linguistic change can be seen as a kind of social, technological, ethical, and intellectual change itself, rather than as a map or mirror of such change. One could go even further and think of linguistic change as the motor of other kinds of change. Many new identities, new ideas, and new ideologies rely for their existence on the creation of new words or on the transformation of the meanings of old ones. As Quentin Skinner puts it, by tracing the genealogy of our evaluative vocabularies, we ‘find ourselves looking not merely at the reflections but at one of the engines of social change.’[12]


NOTES 

[1] On Trench’s philological works and his admiration for Coleridge’s conception of words as ‘living powers’, see McKusick 1992, esp. 12-17

[2] Barfield 1954, 14; quoted in G. Hughes 1988, 1.

[3] C. S. Lewis 1967, vii.

[4] Ibid., 111-32.

[5] Hobsbawm 1973, 13-14.

[6] Matoré 1953, 65-7.

[7] Ibid., 67-70; see also G. Hughes 1988, 24-5; G. Hughes 2000, 30-2.

[8] R. Williams 1976, 9.

[9] Ibid., 11. A recent, multi-authored volume, directly inspired by Williams’ 1976 book, is New Keywords: A Revised Vocabulary of Culture and Society. It includes ‘alternative’, ‘biology’, ‘celebrity’, ‘deconstruction’, ‘ethnicity’, ‘fundamentalism’, and so on; Bennett et al. 2005. This new volume seems generally to put rather less emphasis than Williams on historical semantics and more on cultural and social theory.

[10] This is the model that I tended to favour myself in my study of the transition from theories of ‘passions’ to theories of ‘emotions’ in the nineteenth century. Dixon 2003, 249-51.

[11] My approach here is similar to Neil Kenny’s. He has written that his approach to the history of the language of ‘curiosity’ is ‘designed to replace any approach that would see language as a mere epiphenomenon of underlying social, cultural, or intellectual contexts, as a mere “effect” that is “caused” by them.’ Kenny 2004, 24.

[12] Skinner 2002, 178.

REFERENCES

Barfield, Owen (1954). History in English Words. New edition. London, Faber and Faber.

Bennett, Tony, et al. (eds) (2005). New Keywords: A Revised Vocabulary of Culture and Society. Oxford, Blackwell.

Dixon, Thomas (2003). From Passions to Emotions: The Creation of a Secular Psychological Category. Cambridge, Cambridge University Press.

Hobsbawm, Eric (1973). The Age of Revolution: Europe 1789-1848. London, Cardinal. First edition 1962.

Hughes, Geoffrey (1988). Words in Time: A Social History of the English Vocabulary. Oxford, Blackwell.

Hughes, Geoffrey (2000). A History of English Words. Oxford, Blackwell.

Kenny, Neil (2004). The Uses of Curiosity in Early Modern France and Germany. Oxford, Oxford University Press.

Lewis, C. S. (1967). Studies in Words. Second edition. Cambridge, Cambridge University Press. First edition 1960.

Matoré, Georges (1953). La Méthode en Lexicologie: Domaine Français. Paris, Didier.

McKusick, James C. (1992). ‘“Living Words”: Samuel Taylor Coleridge and the Genesis of the OED.’ Modern Philology 90: 1-45.

Skinner, Quentin (2002). Visions of Politics. Volume I: Regarding Method. Cambridge, Cambridge University Press.

Trench, Richard Chenevix (n.d.). On the Study of Words; and English Past and Present. Everyman’s Library. London, J. M. Dent and Sons. First edition 1851.

Williams, Raymond (1976). Keywords: A Vocabulary of Culture and Society. London, Croom Helm.

Philosophy from the outside in

Welcome to the new Cultural History of Philosophy blog at Queen Mary University of London.

The main aim of this blog – and of the QMUL undergraduate module it accompanies – is to take a fresh approach to the history of philosophy, by exploring the ways that philosophers and philosophies have shaped public life, popular culture, and personal identity – sometimes in unnoticed and unconscious ways. This will be a kind of history that approaches philosophical texts and ideas from the outside in – starting with perspectives from social and cultural history rather than within the pages of canonical works of philosophy. Sometimes the history of philosophy has been taught as a branch of philosophy. Here it will be treated as a branch of history.

The two images below of the English philosophical writer Colin Wilson capture visually some of the issues I hope this blog and the module it accompanies will explore. Wilson’s 1956 book The Outsider, brought existentialist ideas to the British public in a newly fashionable form, and catapulted Wilson to overnight celebrity status. You can read more about Wilson, who died in 2013, in an obituary in the Telegraph, in an essay for Aeon magazine by Ken MacLeod, and in a blog post by Rob Baker – which are also the sources for the photographs below.

The first photograph below shows the philosopher in a cluttered domestic setting, with a mug, leftover breakfast things, and an empty bottle hinting at the hedonism of the night before. This is a kitchen-sink existentialist for the era of the kitchen-sink drama. As so often, the figure of the philosopher here is a man. But what are we, as viewers of this studiedly bohemian scene, supposed to think about the woman reclining in the background (in fact Wilson’s girlfriend Joy)? Is she Wilson’ intellectual equal and partner in philosophical dialogue? Is she a pupil sitting at a philosophical master’s feet, or perhaps a budding Simone de Beauvoir in her own right? Or do the position and pose of the hazy feminine figure suggest a more sensual connection between the two?

Colin Wilson

Colin Wilson in 1956. Photo by Mark Kauffman//Time Life Pictures/Getty

The second image of Wilson shows him alone on Hampstead Heath in his sleeping bag. Part of Wilson’s appeal as a philosophical persona was that he conformed to various established cultural types, including the working-class autodidact (he was the son of a Leicester factory-hand and left school at sixteen) and the romantic genius (Wilson was never shy about applying the term ‘genius’ to himself). The publicity for The Outsider included the claim that Wilson had spent his days in the British Museum reading room, and his nights in a sleeping bag on Hampstead Heath while working on the book. Although the heath is an enclosed green area in an urban setting, the image is suggestive of another face of the philosopher – the romantic confronting and communing with nature – leaning against, if not hugging, a tree.

Colin Wilson on Hampstead Heath

Colin Wilson on Hampstead Heath in 1956. Image: http://www.nickelinthemachine.com/

The iconography surrounding Colin Wilson and The Outsider seem an appropriate starting point for a new exploration into the history of philosophy starting from the outside. Wilson’s class, lifestyle and appearance – including his trademark polo-neck, spectacles, and sandals – were as important as his ideas. Wilson remained an outsider to academic philosophy throughout his life, and soon became an outsider to the fashionable literary and intellectual worlds he had briefly entered too. His career offers some telling examples of the ways that philosophies and philosophers, both within and outside the academic discipline of philosophy, have shaped our cultural history – in modern Britain and more broadly.

I hope that others interested in this subject – historians, philosophers, journalists, students, readers, thinkers, existentialists, autodidacts and romantic geniuses of all kinds – might also like to write for the Cultural History of Philosophy Blog.

In future posts I will write a bit more about the kind of thing I’d like to see on the blog myself, but if you already know that you would like to propose a short research essay, book review, or anything else to be published here, then please do email me at t.m.dixon@qmul.ac.uk with your idea, or make contact via Twitter @ThomasDixon2015.