Of monkeys and men

In 1540 Niccolò Boldrini engraved this surprising caricature after a drawing by Titian. The deformation of a renowned and deeply respected image such as the Laocoon affirms caricature as a deviation from the idealization implied in the Renaissance revival of antiquity and ridicules the obsession with the imitation of classical models of beauty, perfection, and symmetry.

Niccolò Boldrini, Caricature of the Laocoon, after Titian, 1540, National Gallery of Art, Washington D.C., public domain.